Shakespeare on the Saskatchewan

Review: Captivating world premiere of new play asks “Why Shakespeare?”

“Done/Undone” asks difficult and necessary questions that appear to set the stage for a future of SOTS that will include challenging and exciting productions.

Review: A roaring 20s ‘Hamlet’ shows the best of what’s possible for modern Shakespeare

Glitz and glamour cast a veneer of decadence over the dark and ugly truths in Shakespeare on the Saskatchewan’s newest production of Hamlet, and it’s one of the best productions the company has put on the stage in recent memory.

New season, old favourite: Shakespeare on the Saskatchewan kicks off with ‘Hamlet’

This season’s production of the popular tragedy ‘Hamlet’ is set in the flashy era of the roaring 20s.

Review: ‘As You Like It’ the perfect comedic gateway for new Shakespeare fans

If there was ever a Shakespeare show to convince doubters that modern Shakespeare shows can be fun and exciting for the whole family, SOTS’ version of “As You Like It” is it.

Review: “The Dark Lady” a powerful exploration of love, loss and legacy

Clever writing, clever directing, clever performances — there’s not much more to ask for in a great show, and “The Dark Lady” has it all and more.

Review: Wild, unpredictable “Romeo and Juliet” a zany treat

The ensemble gelled wonderfully in each interaction, large or small, and put a fine polish on the swirling kaleidoscope of a production.

New SOTS season promises new experiences for performers and audience

Shakespeare on the Saskatchewan is ready to put a new spin on well-known shows and their upgraded festival site.

Review: “Iago Speaks” is a fun-filled, imaginative, new way approach to Shakespeare

Iago Speaks is a resounding success, and work of the actors, playwright, director, and all production team prove that there is an expanse beyond Shakespearean classics that can be explored.