Review: Light-hearted and cute, ‘The Fiancée’ is a funny (but imperfect) holiday show

The Fiancee is a perfect popcorn show. It’s light, it’s fluffy, it’s most definitely enjoyable. But there’s not much to it — and by the time you’re done, you can’t help but wish there was a little more there.
“Hand to God” a fabulously irreverent, wonderfully uncomfortable comedy

Profanity, humour, and shock combine to bring this strange but incredible story to life.
Review: ‘Old Stock: A Refugee Love Story’ a captivating, “Broadway-caliber” piece of theatre

This ethereal story is a haunting and humorous tale both raw and heartwarming that does not fail to astound and should not be missed.
‘It’s about these amazing people flying under the radar’: YXE Underground podcast hits fifth season

As Eric Anderson starts the fifth season of YXE Underground, it’s a chance to look back on all the incredible people he’s interviewed for it.
Saskatoon Fringe Reviews, Day 4: Love, horror, and trombones wrap up review weekend

Whether you’re into horror or comedy or dramatic one-person performances, there’s a little bit of everything on this year’s stages!
Saskatoon Fringe Reviews, Day 3: From children’s folk stories to an early grave

Comedies, drama, children’s theatre and musical numbers — check out the newest reviews for the 2022 Saskatoon Fringe Festival shows!
Saskatoon Fringe Reviews, Day 2: Superb storytelling and stand-up comedy

Day 2 of the 2022 Saskatoon Fringe Festival reviews includes some stand-up comedy and PodSask’s first five-star show!
Review: Masterful, chaotic ‘Cymbeline’ a victory for Shakespeare on the Saskatchewan

Shakespeare on the Saskatchewan’s production of ‘Cymbeline’ is a master class in this style of theatre.
Olson: Ten valuable lessons learned over 10 years of community theatre

After spending the last 10 years involved with community theater in Saskatoon and in Ottawa, I thought I’d share a few things I’ve learned.
Youth talent takes centre stage in new murder mystery

‘L’Auberge, a Tragedy in Four Acts’ staged in partnership with Fully Productions is the playwriting debut for Mya Kelln.