Q&A: Dean McNeill talks music and poetry ahead of collaborative SJO concert
“I like it when people step up to the plate and take a swing at things and hit it out of the park in cool ways. I think we have a lot to offer as a province, and I think this is an example of doing that.”
Inaugural Saskatchewan Jewish Arts Festival a massive cultural celebration
“It sounds so cheesy, but we need more love in the world. There’s enough hate. So we look at pieces of art as a vehicle for peace, love, and understanding,” festival curator Joel Bernbaum said.
Review: ‘Old Stock: A Refugee Love Story’ a captivating, “Broadway-caliber” piece of theatre
This ethereal story is a haunting and humorous tale both raw and heartwarming that does not fail to astound and should not be missed.
Review: Heartfelt and humourous ‘Stones in his Pockets’ a great start to the season
Skye Brandon and Nathan Howe use a masterful physicality to play various characters in this hilarious two-man comedy.
Shakespeare on the Saskatchewan debuts new comedy centred on an old villain
Daniel Macdonald’s new play, a comedy loosely inspired by the infamous Shakespeare villain Iago, opens on August 6th, 2022.
Saskatoon Fringe Festival a community ‘gateway’ to theatre and the arts
“If you want to know where theatre’s going, come to the Fringe,” said executive and artistic director Anita Smith.
Review: ‘Shakespeare’s Will’ is a sometimes touching, sometimes unexciting one-person show
Not even a quick technical difficulties pause and resumption could jumpstart the plodding production on opening night.
Review: Masterful, chaotic ‘Cymbeline’ a victory for Shakespeare on the Saskatchewan
Shakespeare on the Saskatchewan’s production of ‘Cymbeline’ is a master class in this style of theatre.
Olson: Ten valuable lessons learned over 10 years of community theatre
After spending the last 10 years involved with community theater in Saskatoon and in Ottawa, I thought I’d share a few things I’ve learned.
Shakespeare on the Saskatchewan tackles ‘Cymbeline’ for the first time
Performer Mara Teare described the show as a “highlight reel” for Shakespeare, drawing on devices from his other plays.